Critique


Critique of Göteborg International Biennial for Contemporary Art 2019 Part of the Labyrinth, 2019.12.04, ArtReview.

”- Derrida made me do it”, critique of CPH:DOX, 2018.03.26, Kunstkritikk.dk.

”Utställningens traumatiserade kropp”, critique of Minia Biabiany’s exhibition at Signal: Center for Contemporary Art, Malmö, 2016.05.18, kunstkritikk.se. Also as translated: ”The Contested Field of Forgetfulness”, 2016.05.18, kunstkritikk.com.

”Standard Length of a Miracle at Tensta konsthall”, critique of Tensta konsthall’s exhibition Standard Length of a Miracle by Goldin & Senneby, 2016.03.03, temporaryartreview.com.

”Samtal i migrationens spår” (Discussion in the wake of migration), critique of the symposium Blind spots at Malmö konstmuseum, 2015.09.21, kunstkritikk.se.

”Med biennalen mot framtiden”, interview with Maria Lind on the Gwangju Biennial, 2015.08.15, Kunstkritikk.se. Also as translated: ”Future Presents”, 2015.09.22, kunstkritikk.com.

”EU-migranter ställs ut i cyniskt konstprojekt”, critique of the performance group Institutets project Toleranshuvan reloaded at Malmö konsthall, 2015.02.05, Kunstkritikk.se. Also as translated: ”EU Migrants Exhibited in Cynical Art Project”, 2015.02.13, kunstkritikk.com.

”Ny chefsduo på Konsthall C”, interview with Jens Strandberg and Jenny Richards, 2015.01.27, kunstkritikk.se. Also as translated: ”New Directors at Konsthall C”, 2015.02.15, kunstkritikk.com.

”Det svårgripbara hatet” (Eluding Hatred), critique of We Hate in Order to Survive producerad by Woodpecker Projects at Inter Arts Center, Malmö, 2014.10.17, kunstkritikk.se.

”Provokation oh tragikomik” (Provocation and Tragicomedy), critique of the exhibition Soviet Hippies: The Psychedelic Underground of 1970s Estonia at Moderna Museet Malmö, 2013.10.03, kunstkritikk.se.

”Omläsning av arkiven” (Rereading the archive), critique of the exhibition Reading <<The World in Which We Live>> at Signal (Malmö), 2013.09.13, kunstkritikk.se.

”Omsorgens dubbla budskap” (The Double Bind of Care), critique of Virlani Hallbers exhibition at Galleri Riis, 2013.05.27, kunstkritikk.se.

”Text som symtom” (Text as Symptom), critique of the exhibition ABCDEFGHI at Marabouparken, 2013.04.29, kunstkritikk.se.

”Frihetens psykoser” (The Psychosis of Freedom), critique of Sture Johannesson’s exhibition at Index, Stockholm, 2012.04.10, kunstkritikk.se.

”Kultur, motstånd, historia” (Culture, Resistance, History), critique of Ingela Johansson’s project What happened with the art of the strike at Konsthall C (Hökarängen), 2013.12.10, kunstkritikk.se.

”Emotionella väggar” (Emotional Walls), interview with Claes Tellvid, 2012.10.04, Kunstkritikk.se.

”Folkhemmet uppdaterat” (The Peoples Home Updated), critique of Marabouparken’s (Sundbyberg) exhibition Hembyg(g)d, 2012.09.19, kunstkritikk,se.

”Vidga dina Stockholmsvyer!” (Get to know Stockholm), article on Stockholm’s art scene, 2011.09.29, Helsingborgs dagblad.

”Rå känsla av overklighet” (A Grim Sense of Unreality), critique of Lunds konsthall’s exhibition To See the Dimensions 2011.09.24, Helsingborgs dagblad.

”Demokratins förutsättningar”, (The Prerequisites of Democracy) critique of the anthology Konsten att handla – konsten att tänka: Hannah Arendt om det politiska , 2011.08.29, Helsingborgs dagblad.

”Fart, framsteg, förvandling” (Speed, Progress, Transformation), critique of the exhibition Gösta Adrian-Nilsson at the Malmö Art Museum, 30.07.2011, Helsingborgs dagblad.

”Konsthistoria à la Derkert” (Derkert’s Art History), critique of the exhibition Siri Derkert at Moderna museet, Stockholm, 2011.07.10, Helsingborgs dagblad.

”Politiken som förutsättning” (Politics as Platform), critique of the anthology Selected Maria Lind Writing, 2011.04.09, Helsingborgs dagblad.

”Upplysningsstriden” ( The Enlightenment Fight), essay, 2011.01.30, Helsingborgs dagblad.

”Boksidor inom och utanför bokens ramar” (Book Pages Within and Outside the Frame), critique of David Svensson’ book Mot mitten och försvinnandet, 2010.12.02, Helsingborgs dagblad.

”Kurerad kurslitteratur” (Curated Course Literature), critique of Sinziana Ravini’s book. Tennslottet, 2010.11.08, Helsingborgs dagblad.

”Nietzches maskerad” (Nietzche’s Masquerade), critique of Fredrika Spindler’s book Nietzsche: Kropp, konst, kunskap, 2010:10:27, Helsingborgs dagblad.

”Vad finns i Brilloboxen?” (What’s Inside the Brillo Box?), critique of Thomas Anderberg’s book Brillobok, 2010.10.24, Helsingborgs dagblad.

”Rädslans arkitektur” (Architecture of Fear), critique of Göran Dahlberg’s book Hemliga städer, 2010.10.06, Helsinborgs dagblad.

Editorial


Contested histories from El Complejo: An Anthology, With texts by: Jennifer Baca, María Berríos, Claudia del Fierro, Kristian Lund, Ricardo Osvaldo Alvarado and Julia Willén and myself. Edited together with Julia Willén and Claudia del Fierro, 2017.09.14.

Konstperspektiv, co-editor, issue nr 3, 2015.

Konst i Arbete (Art at Work), anthology with texts by: Bo Göranzon, Michele Masucci, Gertrud Sandqvist, Frida Sandström, Nina Svensson, Marika Troili and myself. Produced by Sveriges Konstföreningar , 2015.

Catalogue texts for exhibitions 


Vilande mängd, catalogue essay for exhibition at Lunds konsthall, 2020.11.28.

“The Measure of All Things: On the (In)Human, catalogue essay and artist’s presentations for exhibition at Lunds konsthall”, co-editor, 2019.06.29.

”Remembering what is”, catalogue essay and artist’s presentations, for exhibition at Lunds konsthall), 2019.01.25.

”The Light From the Horizon”, essay on Magnhild Øen Nordahl’s art for the exhibition The Frisbee Perspective, Sogn og Fjordane Kunstmuseum, 2018.

Artist presentations for Lund’s konsthall’s exhibition Where the wind blows, 2017.05.

”26 minutes from the horizon – Transcendental knowledge in Magnhild Øen Nordahl's art”, essay on the exhibition Standard Primitives, 2016.06.10.

Interview with Dave Hullfish Bailey for Tensta konsthall’s exhibition School Section, 2014.10.22.

Texts in antologies


”Marguerite Yourcenar, Michel Foucault och den historiska romanen” (Marguerite Yourcenar, Michel Foucault and the Historical Novel), in Förfluten tid och nutid, Axel and Margaret Ax:son Johnson’s foundation, 2020.

”Momios in the Forest – The Constitutive Outside in Olof Palme’s and Kristian Lund’s Writings” and ”On Claudia del Fierro’s Cinematographic Extension of the Present” in Contested Histories from El Complejo: An Anthology, 2017.

Hennes arbetsplats har flyttat närmare köket, in Konst i arbete (Art at Work), Sveriges konstföreningar 2015.